作業十

load dbnletters.dbn

size 500 200

fast
paper 100
number keycheck
{
set keyyalue 0
repeat a 1 26
{
same? 100

{
set keyyalue a
}
}
value (keyyalue)

}
set ax 2
set ay 186

forever
{

same? 100
{
set ax ((/12)*12+2)
set ay ((/12)*12+2)
field ax ay (ax+12) (ay+12) 100
}

pen (ax/2) 80 ay
set k

notsmaller? k 1
{
letter k ax ay
set ax (ax+12)
notsmaller? ax 188
{
set ax 2
set ay (ay-12)
}
smaller? ay 0
{
set ay 186
}
}
pause 5
set k 0
refresh
}

作業九

像是絢麗的花火不斷噴射散落，不同顏色的變化有著不同的驚奇。


size 400 400
forever
{
paper 100
pen 100 10
set B 80
repeat A 0 100
{
same? A B
{
line 10 A A B
line 10 (A*2) (A*2) (B*2)
line 20 (A*4) (A*4) (B*4)
line 30 (A*6) (A*6) (B*6)
line 40 (A*8) (A*8) (B*8)
line 50 (A*10) (A*10) (B*10)
line 60 (A*12) (A*12) (B*12)
line 70 (A*14) (A*14) (B*14)
line 80 (A*16) (A*16) (B*16)
line 90 (A*18) (A*18) (B*18)
line 100 (A*20) (A*20) (B*20)
line 110 (A*22) (A*22) (B*22)
}
notsame? A B
{
line 0 (A*2) (A*2) (B*2)
line 20 (A*3) (A*3) (B*3)
line 40 (A*4) (A*4) (B*4)
line 60 (A*5) (A*5) (B*5)
line 80 (A*6) (A*6) (B*6)
line 100 (A*7) (A*7) (B*7)
line 120 (A*8) (A*8) (B*8)
line 140 (A*9) (A*9) (B*9)
line 160 (A*10) (A*10) (B*10)
line 180 (A*11) (A*11) (B*11)
line 200 (A*12) (A*12) (B*12)
line 220 (A*13) (A*13) (B*13)
line 240 (A*14) (A*14) (B*14)
line 260 (A*15) (A*15) (B*15)
line 280 (A*16) (A*16) (B*16)
line 300 (A*17) (A*17) (B*17)
line 320 (A*18) (A*18) (B*18)
line 340 (A*19) (A*19) (B*19)
line 360 (A*20) (A*20) (B*20)
line 380 (A*21) (A*21) (B*21)
line 400 (A*22) (A*22) (B*22)
}
}
}

作業八

V2 荷蘭互動媒體實驗中心

影片中V2與加拿大藝術家漢莫合作的「Body Movies」(多媒體互動裝置2002)，
將一萬五千張的照片連續播放投射在一片白牆，當有人經過的時候照片便會投射出，並與民眾進行互動，更結合民眾的影子與照片，相互形成有趣的畫面。
這件作品令我驚奇，利用投影的展現，是現今非常普遍的，能夠利用既有的技術變換出不同的呈現方式，以及不拘泥空間所展現的互動藝術，也更貼近於我們的生活，也能拉近人與人之間的距離，製造出許多驚喜。每當技術不斷的向前進步時，也許更應該想想如何利用舊有的技術來創造更令人意想不到的表現手法，呈現在不同的藝術上，更希望在我們生活的空間裡，能有更多公共藝術的發展。



資料：http://www.digiarts.org.tw/ShowPcastAddTW.aspx?lang=zh-tw&CP_NO=20&CPA_NO=9

作業七

像是在夏夜裡螢光般發亮的草木在生長一般，有著各種不同的顏色深淺變化，綠意盎然使人心曠神怡，彷彿深呼吸就能感覺到夜裡的寧靜。


size 400 400
paper 100
fast

command rect x y w h c
{
pen 90 70
line (x+w/4) (y+h/4) (x-w/4) (y+h/4)
line (x-w/3) (y+h/3) (x-w/3) (y-h/3)
line (x+w/3) (y-h/3) (x+w/3) (y-h/3)

}
forever
{
rect 90 20
}

作業六

自畫像 = =



size 300 500
paper 100
command rect x y w h c
{
pen 70 70 0
line (x-w/x) (y-h/x) (x+w/x) (y-h/x)
line (x+w/w) (y-h/w) (x+w/w) (y+h/w)
line (x+w/y) (y+h/y) (x-w/y) (y+h/y)
line (x-w/h) (y+h/h) (x-w/h) (y-h/h)}
forever
{
rect 50 20
}





陪伴我做作業的檯燈

作業四

編織而成漸層的布料，輕盈的顏色更表現出柔軟飄逸，適合即將來到的春天。

size 500 150
paper 0
command square x y s c
{
pen (90-c) (75+C) (20*c)

line (x+s) (y+s) x s
line x (y-s) (x-s) y

line x (y+s) (x+s) y
}
repeat d 0 90
{
repeat c 0 15
{
square (d*10-2) (c*10+2) 10 (100-(d*c-50))
}


}


















size 500 150
paper 0
command square x y s c
{
pen (20*c) (30-C) 80

line (x+s) (y+s) x s
line x (y-s) (x-s) y

line x (y+s) (x+s) y
}
repeat d 0 90
{
repeat c 0 15
{
square (d*10-2) (c*10+2) 10 (100-(d*c-50))
}


}















size 500 150
paper 0


command square x y s c
{
pen (90-c) (75*C) 20

line (x+s) (y+s) x s
line x (y-s) (x-s) y

line x (y+s) (x+s) y
}
repeat d 0 90
{
repeat c 0 15
{
square (d*10-2) (c*10+2) 10 (100-(d*c-50))
}


}




















size 500 150
paper 0
command square x y s c
{
pen (90*c) (75+C) 20

line (x+s) (y+s) x s
line x (y-s) (x-s) y

line x (y+s) (x+s) y
}
repeat d 0 90
{
repeat c 0 15
{
square (d*10-2) (c*10+2) 10 (100-(d*c-50))
}


}








size 500 150
paper 0
command square x y s c
{
pen (20-c) (30*C) 80

line (x+s) (y+s) x s
line x (y-s) (x-s) y

line x (y+s) (x+s) y
}
repeat d 0 90
{
repeat c 0 15
{
square (d*10-2) (c*10+2) 10 (100-(d*c-50))
}


}

作業五

size 400 400

paper 0

forever


{

Repeat s 0 400

{

pen 80

line 0 (0+s/2) 400 (70-s/1)

pen 70

line 0 (80+s/2) 400 (10-s/3)


pen 60

line 0 (20+s/2) 400 (90-s/1)


pen 50

line 0 (100+s/2) 400 (30-s/3)

pen 40

line 0 (40+s/2) 400 (110-s/1)




pen 30

line 0 (120+s/2) 400 (50-s/3)

pen 20

line 0 (60+s/2) 400 (130-s/1)

pen 10

line 0 (140+s/2) 400 (70-s/3)

pen 0

line 0 (80+s/2) 400 (150-s/1)

pen 10

line 0 (160+s/2) 400 (90-s/3)
pen 20

line 0 (100+s/2) 400 (170-s/1)
pen 30

line 0 (180+s/2) 400 (110-s/3)






pen 20 10 0

line 0 (70-s/2) 400 (150+s/1)

pen 30 10 0

line 0 (80-s/1) 400 (160+s/4)

pen 40 10 0

line 0 (90-s/2) 400 (170+s/1)

pen 50 10 0

line 0 (100-s/1) 400 (180+s/4)

pen 60 10 0

line 0 (110-s/2) 400 (190+s/1)

pen 70 10 0

line 0 (120-s/1) 400 (200+s/4)
pen 80 10 0

line 0 (130-s/2) 400 (210+s/1)
pen 90 10 0

line 0 (140-s/1) 400 (220+s/4)
pen 100 10 0

line 0 (150-s/2) 400 (230+s/1)
pen 110 10 0

line 0 (160-s/1) 400 (240+s/4)
}

}